GP-SexesKeys39; E269|        13 But when once I did descry
GP-SexesKeys40; E269|        The Immortal Man that cannot Die
GP-SexesKeys41; E269|        14 Thro evening shades I haste away
GP-SexesKeys42; E269|        To close the Labours of my Day
GP-SexesKeys43; E269|        15 The Door of Death I open found
GP-SexesKeys44; E269|        And the Worm Weaving in the Ground
GP-SexesKeys45; E269|        16 Thou'rt my Mother from the Womb
GP-SexesKeys46; E269|        Wife, Sister, Daughter to the Tomb
GP-SexesKeys47; E269|        Weaving to Dreams the Sexual strife
GP-SexesKeys48; E269|        And weeping over the Web of Life


GP-Sexes; E269|        [Epilogue]


GP-.SexesEpilogue; E269|        To The Accuser Who is
GP-.SexesEpilogue; E269|        The God of This World


GP-SexesEpilogue1;   E269|        Truly My Satan thou art but a Dunce
GP-SexesEpilogue2;   E269|        And dost not know the Garment from the Man
GP-SexesEpilogue3;   E269|        Every Harlot was a Virgin once
GP-SexesEpilogue4;   E269|        Nor canst thou ever change Kate into Nan


GP-SexesEpilogue5;   E269|        Tho thou art Worshipd by the Names Divine
GP-SexesEpilogue6;   E269|        Of Jesus & Jehovah thou art still
GP-SexesEpilogue7;   E269|        The Son of Morn in weary Nights decline
GP-SexesEpilogue8;   E269|        The lost Travellers Dream under the Hill


Title; E269|        ON HOMERS POETRY   t348


HomersPoetry-prose1;   E269|        Every Poem must necessarily be a perfect Unity, but why Homers is
HomersPoetry-prose2;   E269|        peculiarly so I cannot tell: he has told the story of
HomersPoetry-prose3;   E269|        Bellerophon & omitted the Judgment of Paris which is not only a
HomersPoetry-prose4;   E269|        part, but a principal part of Homers subject
HomersPoetry-prose5;   E269|        But when a Work has Unity it is as much in a Part as in the
HomersPoetry-prose6;   E269|        Whole. the Torso is as much a Unity as the Laocoon
HomersPoetry-prose7;   E269|        As Unity is the cloke of folly so Goodness is the cloke of
HomersPoetry-prose8;   E269|        knavery Those who will have Unity exclusively in Homer come out
HomersPoetry-prose9;   E269|        with a Moral like a sting in the tail: Aristotle says Characters
HomersPoetry-prose10; E269|        are either Good or Bad: now Goodness or Badness has nothing to do
HomersPoetry-prose11; E269|        with Character. an Apple tree a Pear tree a Horse a Lion, are
HomersPoetry-prose12; E269|        Characters but a Good Apple tree or a Bad, is an Apple tree
HomersPoetry-prose13; E269|        still: a Horse is not more a Lion for being a Bad Horse. that is
HomersPoetry-prose14; E269|        its Character; its Goodness or Badness is another consideration.
HomersPoetry-prose15; E269|        It is the same with the Moral of a whole Poem as with the Moral
HomersPoetry-prose16; E269|        Goodness


HomersPoetry-prose17; E270|        of its parts Unity & Morality, are secondary considerations &
HomersPoetry-prose18; E270|        belong to Philosophy & not to Poetry, to Exception & not to Rule,
HomersPoetry-prose19; E270|        to Accident & not to Substance. the Ancients calld it eating of
HomersPoetry-prose20; E270|        the tree of good & evil.
HomersPoetry-prose21; E270|        The Classics, it is the Classics! & not Goths nor Monks, that
HomersPoetry-prose22; E270|        Desolate Europe with Wars.


Title; E270|        ON VIRGIL


OnVirgil-prose1;   E270|        Sacred Truth has pronounced that Greece & Rome as Babylon &
OnVirgil-prose2;   E270|        Egypt: so far from being parents of Arts & Sciences as they
OnVirgil-prose3;   E270|        pretend: were destroyers of all Art. Homer Virgil & Ovid confirm
OnVirgil-prose4;   E270|        this opinion & make us reverence The Word of God, the only light
OnVirgil-prose5;   E270|        of antiquity that remains unperverted by War. Virgil in the
OnVirgil-prose6;   E270|        Eneid Book VI line 848 says Let others study Art: Rome has
OnVirgil-prose7;   E270|        somewhat better to do, namely War & Dominion
OnVirgil-prose8;   E270|        Rome & Greece swept Art into their maw & destroyd it a
OnVirgil-prose9;   E270|        Warlike State never can produce Art. It will Rob & Plunder &
OnVirgil-prose10; E270|        accumulate into one place, & Translate & Copy & Buy & Sell &
OnVirgil-prose11; E270|        Criticise, but not Make.
OnVirgil-prose12; E270|        Mathematic Form is Eternal in the Reasoning Memory. Living
OnVirgil-prose13; E270|        Form is Eternal Existence.
OnVirgil-prose14; E270|        Grecian is Mathematic Form
OnVirgil-prose15; E270|        Gothic is Living Form


ED; E270|        PLATE 1
Title; E270|        THE GHOST of ABEL   t349


Subtitle; E270|        A Revelation In the Visions of Jehovah


GhostOfAbel; E270|        Seen by William Blake


GhostOfAbelepigraph; E270|        To LORD BYRON in the Wilderness
GhostOfAbelepigraph; E270|        What doest thou here Elijah?
GhostOfAbelepigraph; E270|        Can a Poet doubt the Visions of Jehovah? Nature has no Outline:
GhostOfAbelepigraph; E270|        but Imagination has. Nature has no Tune: but Imagination has!
GhostOfAbelepigraph; E270|        Nature has no Supernatural & dissolves: Imagination is Eternity


GhostOfAbel; E270|        Scene. A rocky Country. Eve fainted over the dead body
GhostOfAbelstagedr; E270|        of Abel which lays near a Grave. Adam kneels by her Jehovah
GhostOfAbelstagedr; E270|        stands above



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