La deli latina: Prosa y
poesía, Spanish translation of The Latin Deli: Prose and Poetry,
by Elena Olazagasti-Segovia. Athens: University of Georgia
Press, 2006.
El año de nuestra
Revolución, Spanish translation of The Year of Our Revolution, by
Elena Olazagasti-Segovia. Houston: Piñata Books, A
Division of Arte Publico Press, 2006.
A
Love Story Beginning in Spanish:Poems, by Judith Ortiz Cofer.Athens, Georgia:University of Georgia Press, 2005.[Poetry]
Call
Me Maria, by Judith Ortiz
Cofer.New York:Scholastic,
2004.[Novel]
(Scholastic Press paperback edition, July 2006)
The
Meaning of Consuelo, by
Judith
Ortiz Cofer, New York:Farrar,
Strauss, & Giroux, 2003.[Novel]
(Beacon
Press paperback
edition, May 2005.)
Woman in
Front of the Sun:On Becoming A Writer, by Judith
Ortiz Cofer, Athens, Georgia:University of Georgia Press, 2000. [Essays]
Mujer frente al Sol, Spanish
translation of Woman in Front of
the Sun:On Becoming a Writer, by Elena
Olazagasti-Segovia. Athens:University of Georgia Press, 2005.
Sleeping with
One Eye Open: Women Writers and the Art of
Survival.Eds. Marilyn Kallet and Judith Ortiz
Cofer.Athens, GA: University of Georgia Press, 1999.[Essay collection]
The Year of
Our Revolution:Selected and New Prose and
Poetry, by Judith
Ortiz Cofer, University of Houston:Arte Publico Press, 1998.
(Penguin
U.S.A. paperback
edition,
2000.)
An Island
Like You: Stories of the Barrio, Troll Books
school
book club publication, Penguin, U.S.A. 1995.
Una isla como
tu:Historias del barrio, Spanish
translation of An
Island Like You: Stories of the Barrio, by Juan Elias Tovar Cross.Mexico City: Fondo de
Cultura
Economica, 1997.
Storie del
barrio, Italian
translation of An Island Like You: Stories of the Barrio,
by Pietro Deandrea. Milan: Arnoldo
Mondadori
Publishers, 1997.
Verhalen uit
de Barrio, Dutch
translation of An Island Like You: Stories of the Barrio,
by Tineke Funhoff. The Netherlands: Gottmer
Publishers,
1997.
Reaching
for the Mainland and Selected New Poems. Tempe:Bilingual Review Press, 1995.
The Latin Deli.Athens, GA and London:University of Georgia Press, 1993.[Prose and poetry]
(W.W.
Norton paperback
edition, 1995.)
Silent
Dancing:A
Partial Remembrance of a Puerto Rican Childhood.University of Houston:Arte Publico Press, 1990. [Essays and poetry]
Reprinted
by Bilingual Review/Press, 2001-2002.
Bailando en
silencio, Spanish
translation of Silent Dancing, by Dr. ElenaOlazagasti-Segovia, Vanderbilt University,
University of
Houston:Arte Publico Press, 1997.
Reprinted
by Bilingual Review/Press, 2001-2002.
The Line of
the Sun. Athens, GA:
University of Georgia Press, 1989.[Novel]
Spanish
Translation of The Line of the Sun by Prof. Elena
Olazagasti-Segovia, VanderbiltUniversity.San Juan, Puerto Rico:University of Puerto Rico Press, Fall
1997.
Reaching for
the Mainland.Tempe:Bilingual Review Press, 1987.[Poetry]
Terms of
Survival.Houston:Arte Publico Press, 1987.[Poetry]
Reprinted
by Bilingual Review/Press, 2001-2002.
Peregrina.Golden, Colorado:Riverstone Press, 1986.[Poetry]First Place Award,
Riverstone
International Chapbook Competition, 1985.
Fiction
"Arturo's Flight." from An
Island Like You. Reprinted in:
Prentice Hall Literature
Portfolio.
Eds. Christy Desmet, D. Alexis Hart, and Deborah Church Miller.
Upper Saddle River, NJ: Pearson/Prentice Hall, 2007. 314-20.
“Sofia
and the Magic Fish.”Staccato
1 (Spring 2005):3.
Anthology of the American
Short Story. Ed. James Nagel. New York: Houghton
Mifflin Company, 2008. 908 – 916.
Turning Life into Fiction.
Ed. Robin Hemley. St. Paul, MN: Graywolf Press, 2006.
224-32.
After
O’Connor:Stories from Contemporary Georgia.Ed. Hugh Ruppersburg.Athens:University of Georgia Press, 2003.44-52.
Prize Stories
1994:The O. Henry Awards.Ed. William Abrahams.New York;Anchor, 1994.
Excerpted
in:Complete GED
Preparation.Ed. Ellen
Northcutt.Illinois:Steck-Vaughn, 2002. 49.
Excerpted
(in Spanish translation) in:GED:Lenguaje, Lectura.Colombia:Steck-Vaughn, A Harcourt Company, 2003.162.
“An Hour with
Abuelo.”from An Island
Like You.Reprinted in:
Prentice Hall Literature.
Upper Saddle River, NJ: Pearson/Prentice Hall, 2007. 209-14.
Latino Literature.Upper Saddle
River, New Jersey:Prentice Hall.
“Monologue of
the
Spanish Gentleman.”The Americas
Review20.2 (1992).
The
Line of the Sun, excerpts
reprinted in:
Diverse Identities:
Class Multicultural Essays.Lincolnwood, IL: Austin Peay State University
Press, 1996.135-142.
American
Mosaic:Multicultural Readings
in Context.Boston: Houghton
Mifflin
Company, 1991.300-306.
Worlds in Our
Words:An Anthology of New American Women
Writers.New York:Harper Collins.
Essays
and Creative
Non-Fiction
"Judith Ortiz Cofer Talks about the Form." Unit
Introduction: Short Stories. Prentice Hall Literature.
Upper Saddle River, NJ: Pearson/Prentice Hall, 2007. 204-05.
"Judith Ortiz Cofer's Insights into 'An Hour with Abuelo'."
Prentice Hall Literature.
Upper Saddle River, NJ: Pearson/Prentice Hall, 2007. 215.
"Judith Ortiz Cofer on Bringing Characters to Life." Prentice Hall Literature.
Upper Saddle River, NJ: Pearson/Prentice Hall, 2007. 409.
Unit Introduction: "The Modern World: From Conflict
to Renewal (1890-1945)."
Prentice Hall Literature: World Masterpieces. Upper
Saddle River, NJ: Pearson/Prentice Hall, 2007. 1050-51.
"Judith Ortiz Cofer Introduces 'Ithaka' by Constantine
Cavafy." Prentice Hall
Literature: World Masterpieces. Upper Saddle River,
NJ: Pearson/Prentice Hall, 2007. 1142-.43.
"Travels with Alice in Wonderland." The Washington Post 23 Jul.
2006: BW8.
“I Fell in Love, or My Hormones Awakened.” from Silent Dancing. Reprinted in:
Literature for Composition.
8th ed. Eds. Sylvan Barnet, William Burto, and William E. Cain.
New York: Pearson/Longman, 2007. 683 – 687.
Exploring Literature: Writing
and Arguing About Fiction, Poetry, Drama, and the Essay. 3rd
Edition. Ed. Frank Madden. New York: Pearson/Longman, 2007.
517 – 520.
"Tales Told Under the Mango Tree." from Silent Dancing. Reprinted in:
Prentice Hall Literature
Portfolio.
Eds. Christy Desmet, D. Alexis Hart, and Deborah Church Miller.
Upper Saddle River, NJ: Pearson/Prentice Hall, 2007. 306-13.
Access Literature: A
Introduction to Fiction, Poetry, and Drama. Eds. Barbara
Barnard and David F. Winn. Boston, MA: Thomson Wadsworth,
2006. 888-91.
Preface to Silent Dancing.
From Silent Dancing: A Partial
Remembrance of a Puerto Rican Childhood. Reprinted as
"Judith Ortiz Cofer on Memory and Personal Essays" in:
The Writer's Presence:
A Pool of Readings. Eds. Donald McQuade and Robert
Atwan. Boston: Bedford/St. Martin's, 2006. 118-20.
“5:00 A.M.: Writing as Ritual.” from Latin Deli. Reprinted in:
A World of Writing. Eds.
Alyse W. Jones and Lee Brewer Jones. NY: Pearson/Longman, 2007.
44 – 46.
"Woman in Front of the Sun: Journey Toward a Poem."
from A Woman in Front of the Sun.
Reprinted in:
New American Essays:
A Book Edition of New Letters
Magazine 72.1 (2005/06): 264-73.
"And May He Be Bilingual." from A Woman in Front of the Sun.
Reprinted in:
Lofty Dogmas: Poets on
Poetics.
Eds. Deborah Brown, Annie Finch, and Maxine Kumin. Fayetteville:
University of Arkansas Press, 2005. 385-87. (excerpt)
"Rituals:
A Prayer,
a Candle, and a Notebook."Becoming
American.Ed. Meri Nana-Ama Danquah.New York:Hyperion, 2000.29-38.
"But
Tell It
Slant:From Poetry to Prose and Back
Again."Writing Creative
Nonfiction.Eds.Carolyn
Forché and
Philip
Gerard.Cincinnati, Ohio:Story Press, 2001.8-13.
"Out of the
Darkness:Writing to Survive La
Lucha."Water~Stone. 3.1
(Fall 2000) :65-79.Specially
commissioned
as
the second annual Meridel Le Sueur Essay by Water~Stone.
Strategies for
College Writing:A Rhetorical Reader.2nd ed.Eds.
Robert Funk, Linda
Coleman, and Susan X. Day.UpperSaddleRiver:Prentice Hall, 2003.412-17.
A Transdisciplinary
Introduction to Women’s Studies.Eds.
Arlene Avakian and Alexandrina
Deschamps.Dubuque, Iowa:Kendall/Hunt Publishing Co., 2002. 25-28.
One Hundred Great
Essays.Ed. Robert DiYanni.New York:Longman, 2002.147-54.
The Blair Reader.4th ed..Eds.Laurie G. Kirszner and
Stephen R. Mandell.New Jersey:Prentice Hall, 2002.412-17.
Fifty Great Essays.Ed.Robert DiYanni.New York:Longman, 2002.94-107.
Frankenstein.Lodi, New Jersey:Everbind Anthologies, 2002.303-306.
Achieving
Correctness in Academic Writing.Ed.Adele MacGowan-Gilhooly.Dubuque, Iowa:Kendall-Hunt Publishing Company, 2002.15-19.
Every Day,
Everywhere:Global Perspectives on
Popular Culture.Eds.Stuart Hirschberg
and Terry Hirschberg.Boston:McGraw-Hill, 2002.19-24.
The New Millenium
Reader.3rd ed..Eds.Stuart Hirschberg and Terry Hirschberg.NJ:Prentice-Hall, 2003.54-58.
One World, Many
Cultures.Boston:Allyn and Bacon, 1998.167-175.
Race, Class,
and Gender.Eds. Margaret L. Anderson and Patricia Hill
Collins.Belmont, CA:Wadsworth, 2001.342-347.
Strategies
for College Writing:A Rhetorical Reader.Upper Saddle
River, NJ:Prentice-Hall, 2000.427-432.
The New
Millenium Reader.2nd ed.Upper Saddle
River, NJ:
Prentice-Hall,
2000.208-214.